We all know zombies are far superior boyfriends than vampires. Vampires are pushing, demanding, patronising, cruel and have a very twisted idea of love. Zombies never want their loved one to lose their independence or give up their dreams because of them. Zombies don’t require the human to convert to zombiism, and don’t encourage it. Zombies love you for you!
And of all the terrible vampires to have as a boyfriend, Edward from Twilight takes the sparkle. He is straight out abusive, as is the other love interest in the series, “Shirts chafe” Jacob. There are so many academics who pick apart the Twilight series for its screwed-up-ness, and perhaps the scariest thing of all is that people see this cruel relationship rife with domestic violence and domination as a relationship to crave!
One of the things I love about the world and humanity is our insane curiosity and desire for meaning which leads us to such incredible in-depth analysis. A book is never just a book! Bordieu said something about art (which I got from an art class at uni, but can’t find the direct quote), that art styles do not develop independently but rather they develop out of particular social interests. Can anything created be separated completely from the context in which it was created (not meaning everything is a direct analogy)?
Anyway, the main thing I wanted to share was this awesome analytical piece of the Twilight series (ignoring all the horrors of the English language that take place within) about how it’s really a tragedy of the loss of who Bella is, her soul. It’s a very well done piece, and I not-so-secretly wish the author would write a whole thesis on it (I’m a geek, I know it, and I don’t care who knows it!)